top of page



Valentina (Attributed to Maxx Giggles)

Acrylic on canvas & CLIPDraw, 
150 x 150 x 6 cm (59.06 x 59.06 x 2.36


Facial Gestures for Money Laundering

Acrylic on ceramic 
25 x 16 x 16 cm (9.84 x 6.29 x 6.29


We love dirty money by Maxx Giggles

Silkscreen on canvas
39.5 x 35.5 cm (15.55 x 13.98”)
Edition of 60


Maxx Giggles' studio circa 2003

The Big Sleep (BigGAN)

Variable measures

Valentina and Evelina

 4K animation with First Order Model + GPT-2

1 min 41

The close space between smartphones and beds

 4K video made with VQGAN + CLIP

0 min 46

Smartphone Cavern

 4K video made with VQGAN + CLIP

0 min 46


Torre Miravalle - Ground Private Terrace - Los Manantiales

Digital image 
Variable measures


Torre Montezuma PH-Living-Room

Digital image 
Variable measures

Los Manantiales -Bienvenido a casa

4K video with no sound  

2 min 10



Digital image 

Variable measures


Pier Nativitas-Zacapa

Digital image 

Variable measures


Lollipops (Layered)

Acrylic on linen
60 x 50 x 6 cm (23.62 x 19.68 x 2.36


Portrait with iPhone

Acrylic on linen
40 x 30 cm (15.74 x 11.81”)


Foggy Panzer

3D print and polyester resin
19.5 x 8 x 12.5 cm (
7.67 x 3.14 x 4.92“)

Amy listening to you for 10 min

 4K machinima

9 min 55

2021 was a key year for my production as my adoption of Machine Learning (ML) as the primary element of my work took place and was fully embraced. Ever since I started making art, instead of understanding it as separate mediums I have tried to create unity. This has defined the way I create and understand art today, and which is my belief in a single medium, the post-internet, and a myriad of protocols through which it can be employed. A medium holds the power of transformation, which is the greatest potential of the post-internet reality. A protocol is just the way we open a path for the medium: sculpted, painted, photographed, recorded, etc.

My main interest in using ML to create art comes from the relational processes and aesthetics of the internet. Every thing we do online is relational, even if we are only creating a relationship with a computer. It is in this way that I wish to explore the way our kinship with digital devices is changing and becoming more and more affective with each passing year. During 2021 I was able to create post-photographies, videos, forms, drawings and paintings by using Generative Adversarial Networks (GANs), and in December, I was able to present all these works with my project The Art of Giggles, a show I made by creating a fictional artist using solely ML for my Alternate Reality Game  Friends of Corruption Museum.

- For more info on Friends of Corruption please click here.

- For more information about my works with AI click here.

bottom of page