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Acrylic on canvas

30 x 25 x 3 cm (11.81 x 9.84 x 1.18")


Kanaloa Surf Beach, Poison Apple/164/17/26, July 23, 2017

Acrylic on canvas

40 x 50 x 3 cm (15.74 x 19.68 x 1.18")


Twitter found picture N10

Acrylic on canvas

30 x 25 x 3 cm (11.81 x 9.84 x 1.18")

When data condenses in the shape of a church

H.264 video

1 min 27


Portrait of Taylor Justin Frick

Acrylic on canvas

30 x 25 x 3 cm (11.81 x 9.84 x 1.18")



Acrylic on canvas

30 x 25 x 3 cm (11.81 x 9.84 x 1.18")


relatablepoetryandquotes post

Acrylic on canvas

30 x 25 x 3 cm (11.81 x 9.84 x 1.18")


First FoCM Gift Shop 

200 silkscreens on canvas

41 x 40 cm (16.14 x 15.75")

Shortly after starting my painting sessions of Second Life's live landscapes I realized the pace in which the scenarios loaded depended on how saturated my Wi-Fi network was. I began using data fluxes to overdrive my network, slowing the loading process of the landscapes to the minimum. I started recording the screen while landscapes loaded. As the construction process was not the one of appearing objects, but the one of abstract shapes becoming complex and identifiable, I conceived these recordings as digital paintings. 

I continued working following the same direction on my Screen Paintings throughout 2017. Maintaining the 3 main subjects was an effort to show how everything continues to be the same, yet everything is connected, physically or conceptually to the internet. 


I also started Friends of Corruption Museum, a mini-game and future fork of my Alternate Reality Game (ARG) Nimda Corporation which follows my interest on objects generated using the internet structures and resources.  

- To know more and watch my video works click here.

- To know more about Friends of Corruption Museum click here.

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