2017
Woodard_Ungrounded_Earth_EBook.pdf
Acrylic on canvas
30 x 25 x 3 cm (11.81 x 9.84 x 1.18")
Kanaloa Surf Beach, Poison Apple/164/17/26, July 23, 2017
Acrylic on canvas
40 x 50 x 3 cm (15.74 x 19.68 x 1.18")
Twitter found picture N10
Acrylic on canvas
30 x 25 x 3 cm (11.81 x 9.84 x 1.18")
When data condenses in the shape of a church
H.264 video
1 min 27
Portrait of Taylor Justin Frick
Acrylic on canvas
30 x 25 x 3 cm (11.81 x 9.84 x 1.18")
Women_in_iran_divorce_iranian_style.avi
Acrylic on canvas
30 x 25 x 3 cm (11.81 x 9.84 x 1.18")
relatablepoetryandquotes post
Acrylic on canvas
30 x 25 x 3 cm (11.81 x 9.84 x 1.18")
First FoCM Gift Shop
200 silkscreens on canvas
41 x 40 cm (16.14 x 15.75")
Shortly after starting my painting sessions of Second Life's live landscapes I realized the pace in which the scenarios loaded depended on how saturated my Wi-Fi network was. I began using data fluxes to overdrive my network, slowing the loading process of the landscapes to the minimum. I started recording the screen while landscapes loaded. As the construction process was not the one of appearing objects, but the one of abstract shapes becoming complex and identifiable, I conceived these recordings as digital paintings.
I continued working following the same direction on my Screen Paintings throughout 2017. Maintaining the 3 main subjects was an effort to show how everything continues to be the same, yet everything is connected, physically or conceptually to the internet.
I also started Friends of Corruption Museum, a mini-game and future fork of my Alternate Reality Game (ARG) Nimda Corporation which follows my interest on objects generated using the internet structures and resources.
- To know more and watch my video works click here.
- To know more about Friends of Corruption Museum click here.